As a contemporary pianist, I am attracted to the things that live in the cracks between composed and improvised music. Between abstract and concrete, variations of the forms the Nature takes, our roles, cultures, languages, attitudes, things unknown, things in between, invisibles and inaudibles, all these things are vibrations I try to listen, through the act of playing the piano.
I was born in Yokohama, Japan, and have been playing the piano since I was little and the whole time I spent in Japan, which was up to 1995. As soon as I graduated from Toho University of Music in Tokyo I moved to Ireland. It took a long time and some turbulence of life before my music and life started to grow together. Very slowly, life and music started becoming intertwined with each other, and they are becoming one.
I have been lucky to work with lots of great musicians and wonderful people from both classical and jazz/improvised music fields. Musicians and ensembles I worked with include RTECO, Crash Ensemble, Ergodos, Music 21, Michael d’Arcy, Bill Dowdall, Kenneth Edge, Ben Dwyer, Cora Venus Lunny and many more from the world of classical music, and Ronan Guilfoyle, Barry Guy, Gerry Hemingway, Tommy Halferty, Michael Buckley, Dominique Pifarély, Benoît Delbecq, Stéphane Payen, Sarah Buechi and many more from the world of jazz/improvised music. The festivals I enjoyed performing in Ireland and abroad include RTE Living Music Festival, Boyle Arts Festival, Dublin Dance Festival, Dublin Fringe Festival, Bray Jazz Festival, Kilkenny Arts Festival, Ghent Street Festival of New Music in Belgium, Music 21’s ‘Brazil Now’, ‘Artes Da Irlanda’ in Sao Paolo, Brazil, and Creative Connexions in Sitges, Spain, and many more.